Brodski�i, V. E.
The world created in the image of man the conflict between pictorial form and space in defiance of the law of temporality / [electronic resource] : Vladimir Brodsky. - New York : Peter Lang, c2010. - xi, 125 p. : ill.
Includes bibliographical references and index.
List of illustrations -- Acknowledgments -- Introduction -- Japanese defiance of the Chinese concept of unlimited space : the role of the oblique setting in the illustrations of the first half of the twelfth century to Murasaki Shikibu's Tale of Genji -- The virgin of Vladimir (early twelfth century) and The virgin of the Don (c. 1392), two icons from the Tretyakov Gallery in Moscow : striving for a particularize feeling -- The arch motive in Italian Renaissance art : its changing meaning in compositional function -- Rembrandt and the Baroque : contained emotion and the hostility of darkness -- French impressionism as heir to the classical tradition and its encounter with Japanese "pictures of the floating world" (Ukiyo-e) -- Conclusion. What happened next? Postmodern art in the context of the historical development of the interrelation of form and space -- Notes -- Index.
Electronic reproduction.
Palo Alto, Calif. :
ebrary,
2012.
Available via World Wide Web.
Access may be limited to ebrary affiliated libraries.
Composition (Art)
Space (Art)
Form (Aesthetics)
Electronic books.
N7430 / .B674 2010eb
701/.8
The world created in the image of man the conflict between pictorial form and space in defiance of the law of temporality / [electronic resource] : Vladimir Brodsky. - New York : Peter Lang, c2010. - xi, 125 p. : ill.
Includes bibliographical references and index.
List of illustrations -- Acknowledgments -- Introduction -- Japanese defiance of the Chinese concept of unlimited space : the role of the oblique setting in the illustrations of the first half of the twelfth century to Murasaki Shikibu's Tale of Genji -- The virgin of Vladimir (early twelfth century) and The virgin of the Don (c. 1392), two icons from the Tretyakov Gallery in Moscow : striving for a particularize feeling -- The arch motive in Italian Renaissance art : its changing meaning in compositional function -- Rembrandt and the Baroque : contained emotion and the hostility of darkness -- French impressionism as heir to the classical tradition and its encounter with Japanese "pictures of the floating world" (Ukiyo-e) -- Conclusion. What happened next? Postmodern art in the context of the historical development of the interrelation of form and space -- Notes -- Index.
Electronic reproduction.
Palo Alto, Calif. :
ebrary,
2012.
Available via World Wide Web.
Access may be limited to ebrary affiliated libraries.
Composition (Art)
Space (Art)
Form (Aesthetics)
Electronic books.
N7430 / .B674 2010eb
701/.8