Screens and veils (Record no. 113173)
| 000 -LEADER | |
|---|---|
| fixed length control field | 02423nam a2200421 a 4500 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.430961 |
| 100 1# - MAIN ENTRY--AUTHOR NAME | |
| Personal name | Martin, Florence, |
| 245 10 - TITLE STATEMENT | |
| Title | Screens and veils |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication | Bloomington : |
| Name of publisher | Indiana University Press, |
| Year of publication | 2011. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | x, 271 p. |
| 490 1# - SERIES STATEMENT | |
| Series statement | New directions in national cinemas |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Motion pictures |
| Topical Term | Motion pictures |
| Topical Term | Women motion picture producers and directors |
| Topical Term | Motion pictures |
| Topical Term | Women in motion pictures. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | http://site.ebrary.com/lib/rucke/Doc?id=10505831 |
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