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  <titleInfo>
    <title>Hearing Bach's Passions</title>
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  <name type="personal">
    <namePart>Melamed, Daniel R.</namePart>
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    <publisher>Oxford University Press</publisher>
    <dateIssued>2005</dateIssued>
    <issuance>monographic</issuance>
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    <extent>xi, 178 p.</extent>
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  <tableOfContents>Performing forces and their significance. Vocal forces in Bach's Passions ; Singers and roles in Bach's Passions -- Passions in performance. The double chorus in the St. Matthew Passion BWV 244 ; Which St. John Passion BWV 245? ; A St. Mark Passion makes the rounds -- Phantom Passions. Parody and reconstruction : the St. Mark Passion BWV 247 ; Bach/not Bach : the anonymous St. Luke Passion BWV 246.</tableOfContents>
  <note type="statement of responsibility">Daniel R. Melamed.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Bach, Johann Sebastian</namePart>
      <namePart type="date">1685-1750</namePart>
    </name>
  </subject>
  <subject authority="lcsh">
    <topic>Passion music</topic>
    <topic>Analysis, appreciation</topic>
  </subject>
  <classification authority="lcc">MT115.B2 M43 2005eb</classification>
  <classification authority="ddc" edition="22">782.23</classification>
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