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  <titleInfo>
    <title>Musical representations, subjects, and objects</title>
    <subTitle>the construction of musical thought in Zarlino, Descartes, Rameau, and Weber</subTitle>
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  <name type="personal">
    <namePart>Moreno, Jairo</namePart>
    <namePart type="date">1963-</namePart>
    <role>
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  <name type="corporate">
    <namePart>ebrary, Inc</namePart>
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  <genre authority="marc">bibliography</genre>
  <genre authority="local">Electronic books.</genre>
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    <place>
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    <publisher>Indiana University Press</publisher>
    <dateIssued>c2004</dateIssued>
    <dateIssued encoding="marc">2004</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">electronic</form>
    <form authority="gmd">electronic resource</form>
    <extent>viii, 236 p. : ill.</extent>
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  <tableOfContents>Zarlino: instituting knowledge in the time of correspondences -- The representation of order: perception and the early modern subject in Descartes's Compendium musicae -- The complicity of the imagination: representation, subject, and system in Rameau -- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.</tableOfContents>
  <note type="statement of responsibility">Jairo Moreno.</note>
  <note>Includes bibliographical references (p. [221]-231) and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2009. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>Philosophy and aesthetics</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>Semiotics</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Music theory</topic>
    <topic>History</topic>
  </subject>
  <classification authority="lcc">ML3845 .M86 2004eb</classification>
  <classification authority="ddc" edition="22">781/.1</classification>
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    <titleInfo>
      <title>Musical meaning and interpretation</title>
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