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  <titleInfo>
    <title>Music and the language of love</title>
    <subTitle>seventeenth-century French airs</subTitle>
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  <name type="personal">
    <namePart>Gordon-Seifert, Catherine Elizabeth.</namePart>
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    <publisher>Indiana University Press</publisher>
    <dateIssued>c2011</dateIssued>
    <dateIssued encoding="marc">2011</dateIssued>
    <issuance>monographic</issuance>
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    <extent>ix, 390 p. : ill.</extent>
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  <tableOfContents>Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: �A haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.</tableOfContents>
  <note type="statement of responsibility">Catherine Gordon-Seifert.</note>
  <note>Includes bibliographical references and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject>
    <geographicCode authority="marcgac">e-fr---</geographicCode>
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  <subject authority="lcsh">
    <topic>Music</topic>
    <geographic>France</geographic>
    <temporal>17th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Love songs</topic>
    <geographic>France</geographic>
    <temporal>17th century</temporal>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Love in music</topic>
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  <classification authority="lcc">ML270.2 .G67 2011eb</classification>
  <classification authority="ddc" edition="22">782.4/3094409032</classification>
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      <title>Musical meaning and interpretation</title>
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