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  <titleInfo>
    <title>Automotive prosthetic</title>
    <subTitle>technological mediation and the car in conceptual art</subTitle>
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  <name type="personal">
    <namePart>Terranova, Charissa N.</namePart>
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  <genre authority="">Electronic books.</genre>
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    <dateIssued encoding="marc">2014</dateIssued>
    <copyrightDate encoding="marc">2014</copyrightDate>
    <edition>First edition.</edition>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <extent>1 online resource (362 pages) : illustrations</extent>
  </physicalDescription>
  <tableOfContents>Conceptual car art: rethinking conceptualism through technology -- Mobile perception and the automotive prosthetic: photoconceptualism, the car, and urban space -- The nows of the automotive prosthetic: moving images, time, and the car -- Communication space: automotive urbanism in Dan Graham's work -- Hummer: the cultural militarism of art based on the SUV -- Richard Prince: the fetish and automotive maleficium -- Conclusion: the "freedom" of automotive existence.</tableOfContents>
  <note type="statement of responsibility">Charissa N. Terranova.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Automobiles in art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Conceptual art</topic>
    <topic>Themes, motives</topic>
  </subject>
  <classification authority="lcc">N8217.A94 T47 2014eb</classification>
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      <publisher>Austin : University of Texas Press, [2014]</publisher>
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    <physicalDescription>
      <extent>xi, 331 pages</extent>
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    <identifier type="local">(DLC)  2013016700</identifier>
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