02119nam a2200349 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020004300112020002700155040002100182035002100203043001200224050002500236082001700261100001900278245010400297260006000401300002400461504005100485505020400536520055100740533015201291600005801443650005701501650003901558655002901597710001701626856012601643ebr10529438CaPaEBRm        u        cr cn|||||||||110830s2012    enka    sb    001 0deng d  z  2011036586  z9781409422624 (hardcover : alk. paper)  z9781409422631 (e-book)  aCaPaEBRcCaPaEBR  a(OCoLC)775490640  ae-gx---14aML275.5b.E55 2012eb04a831/.9142231 aEnglund, Axel.10aStill songsh[electronic resource] :bmusic in and around the poetry of Paul Celan /cAxel Englund.  aFarnham, England ;aBurlington, Vt. :bAshgate,cc2012.  axii, 239 p. :bill.  aIncludes bibliographical references and index.0 aIntroduction--poetry and music in conflict and convergence -- Play death sweeter -- Fire in the harp, in her hair -- Rises and plays -- Into you, into you I sing -- We resound -- Shattered the songs.  a"Paul Celan, who has long been recognized as the most important poet of the German language after World War II, repeatedly referred to music and song in his poetic oeuvre, and few writers of the post-war era have inspired as large a body of musical settings by contemporary composers. Englund addresses music both as a thematic and structural presence in the poems themselves and as their sounding interlocutor in musical works by Harrison Birtwistle, Gy�orgy Kurt�ag, Wolfgang Rihm, Peter Ruzicka, and many others" --cProvided by publisher.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2011.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries.10aCelan, PaulxMusical settingsxHistory and criticism. 0aMusiczGermanyy20th centuryxHistory and criticism. 0aNational socialism and literature. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10529438zAn electronic book accessible through the World Wide Web; click to view