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  <titleInfo>
    <title>Body double</title>
    <subTitle>the author incarnate in the cinema</subTitle>
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  <name type="personal">
    <namePart>Fischer, Lucy.</namePart>
    <role>
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    <place>
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    <publisher>Rutgers University Press</publisher>
    <dateIssued>2013</dateIssued>
    <issuance>monographic</issuance>
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    <extent>ix, p.</extent>
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  <tableOfContents>Introduction: the screen author wanted: dead or alive -- Typecasting the author -- Beyond adaptation: the writer as filmmaker -- The author at the dream factory: the screenwriter and the movies -- The authoress: textuality as sexuality -- Writing pain: the infirm author -- Word and image -- Corpus and oeuvre: authorship and the body -- Stealing beauty: the reader, the critic, and the appropriation of the authorial voice -- Afterword: Signs and meaning in the cinema.</tableOfContents>
  <note type="statement of responsibility">Lucy Fischer.</note>
  <note>Includes bibliographical references and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <topic>Motion picture authorship</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Auteur theory (Motion pictures)</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures and literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Authors in motion pictures</topic>
  </subject>
  <classification authority="lcc">PN1996 .F4553 2012eb</classification>
  <classification authority="ddc" edition="23">791.43/657</classification>
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