Chinese pop music and its cultural connotationsMoskowitz, Marc L.creatorebrary, InctextbibliographyElectronic books.hiuHonoluluUniversity of Hawai�i Pressc20102010monographiceng

electronic

electronic resource

xii, 165 p. : ill.The tail wags the dog : Taiwan's musical counter-invasion of China -- China's mandopop roots and Taiwan's gendered counter-invasion of the PRC -- Hybridity and its discontents : popular music in Taiwan -- Message in a bottle : lyrical laments and emotional expression in mandopop -- Men writing songs for women who complain about men : mandopop's gender construction in Taiwan and the PRC -- A man for all occasions : charisma and differing masculinity in mandopop -- Mandopop under siege : culturally bound criticisms of Taiwan's pop music.Marc L. Moskowitz.Includes bibliographical references (p.141-156), discography (p. 139-140), and index.Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.a-cc---a-ch--- Geschichte 1990-2008 swd Popular musicChinaHistory and criticismPopular musicTaiwanHistory and criticismMusicSocial aspectsChinaML3502.C5 M65 2010eb781.630951http://site.ebrary.com/lib/rucke/Doc?id=10412289http://site.ebrary.com/lib/rucke/Doc?id=10412289CaPaEBR090513ebr10412289