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  <titleInfo>
    <title>Geoffrey Hill and his contexts</title>
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  <name type="personal">
    <namePart>Pennington, Piers.</namePart>
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  <name type="personal">
    <namePart>Sperling, Matthew</namePart>
    <namePart type="date">1982-</namePart>
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    <place>
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    <place>
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    <publisher>Peter Lang</publisher>
    <dateIssued>c2011</dateIssued>
    <dateIssued encoding="marc">2011</dateIssued>
    <issuance>monographic</issuance>
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    <extent>x, 258 p.</extent>
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  <tableOfContents>Hill's uncollected Oxford poems / Steven Matthews -- The manuscripts and composition of Genesis / Piers Pennington -- Beside the point: a diligence of accidentals / Charles Lock -- Hill's conversions / Kathryn Murphy -- Milton and Eliot in the work of Geoffrey Hill / Michael Molan -- Hill and nineteenth-century linguistic thought / Matthew Sperling -- Hill, Ruskin, and intrinsic value / Marcus Waithe -- The Tenebrae poems of Paul Celan and Geoffrey Hill / Sheridan Burnside -- Hill and Gillian Rose / Matthew Paskins -- Music's invocation: music and history in Geoffrey Hill / Hugh Haughton -- Perplexed persistence: the criticism of Geoffrey Hill -- Kenneth Haynes.</tableOfContents>
  <note type="statement of responsibility">Piers Pennington and Matthew Sperling, editors.</note>
  <note>Includes bibliographical references (p. [235]-246) and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2011. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Hill, Geoffrey</namePart>
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    <topic>Criticism and interpretation</topic>
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  <classification authority="lcc">PR6015.I4735 Z677 2011eb</classification>
  <classification authority="ddc" edition="23">821/.914</classification>
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      <title>Modern poetry, v. 6</title>
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