01583nam a2200361 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020004300112020002700155040002100182035002100203043001200224050002800236082002500264245017100289260006800460300001600528490004200544500002000586533015200606650005300758650008200811650007300893655002900966700002200995700001801017710001701035830004301052856012601095ebr10509111CaPaEBRm        u        cr cn|||||||||110518s2011    enk     s     001 0 eng d  z  2011021370  z9781409427841 (hardcover : alk. paper)  z9781409427858 (e-book)  aCaPaEBRcCaPaEBR  a(OCoLC)764416874  an-us---14aML3918.P67bP655 2011eb04a781.640973/0905122304aThe politics of post-9/11 musich[electronic resource] :bsound, trauma, and the music industry in the time of terror /c[edited by] Joseph P. Fisher and Brian Flota.  aFarnham, Surrey, England ;aBurlington, Vt. :bAshgate,cc2011.  axix, 211 p.1 aAshgate popular and folk music series  aIncludes index.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aPopular musicxPolitical aspectszUnited States. 0aSeptember 11 Terrorist Attacks, 2001vSongs and musicxHistory and criticism. 0aWar on Terrorism, 2001-2009xSongs and musicxHistory and criticism. 7aElectronic books.2local1 aFisher, Joseph P.1 aFlota, Brian.2 aebrary, Inc. 0aAshgate popular and folk music series.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10509111zAn electronic book accessible through the World Wide Web; click to view