02142nam a2200361 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020004100112020002700153040002100180035002100201050002400222082001400246100002000260245008800280260005900368300001700427490004700444504005100491505075600542533015201298650003701450650003001487650002401517655002901541710001701570830004801587856012601635999001901761ebr10514735CaPaEBRm u cr cn|||||||||110608s2012 enk sb 001 0 eng d z 2011024575 z9780754666707 (hardcover alk. paper) z9781409438328 (e-book) aCaPaEBRcCaPaEBR a(OCoLC)76463356614aML2054b.T39 2012eb04a792.62231 aTaylor, Millie.10aMusical theatre, realism and entertainmenth[electronic resource] /cMillie Taylor. aFarnham, England ;aBurlington Vt. :bAshgate,cc2012. aviii, 194 p.1 aAshgate interdisciplinary studies in opera aIncludes bibliographical references and index.0 aMusical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you. aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aMusicalsxHistory and criticism. 0aMusical theaterxHistory. 0aMusic and language. 7aElectronic books.2local2 aebrary, Inc. 0aAshgate interdisciplinary studies in opera.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10514735zAn electronic book accessible through the World Wide Web; click to view c225283d225283