Hendrix, John. creator Carman, Charles H. ebrary, Inc text bibliography Electronic books. enk Surrey, U.K., England Burlington, Vt Ashgate Pub. Ltd. 2010 monographic eng

electronic

electronic resource

x, 245 p. Introduction / John S. Hendrix and Charles H. Carman -- Classical optics and the perspectivae traditions leading to the Renaissance / Nader El-Bizri -- Meanings of perspective in the Renaissance : tensions and resolution / Charles Carman -- Criminal vision in early modern Florence : Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / Allie Terry -- Donatello's Chellini Madonna, light, and vision / Amy R. Bloch -- Perception as a function of desire in the Renaissance / John Hendrix -- Leonardo da Vinci's theory of vision and creativity : the Uffizi Annunciation / Liana De Girolami Cheney -- At the boundaries of sight : the Italian Renaissance cloud putto / Christian Kleinbub -- Gesture and perspective in Raphael's School of Athens / Nicholas Temple -- Seeing and the transfer of spirits in early modern art theory / Thijs Weststeijn -- "All in him selfe as in a glass he sees" : mirrors and vision in the Renaissance / Faye Tudor -- "Nearest the tangible earth" : Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / Alice Crawford Berghof. edited by John Shannon Hendrix and Charles H. Carman. Includes bibliographical references and index. Electronic reproduction. Palo Alto, Calif. : ebrary, 2011. Available via World Wide Web. Access may be limited to ebrary affiliated libraries. Visual perception History Vision History Perspective History Art Philosophy Art, Renaissance N7430.5 .H46 2010eb 701/.8 http://site.ebrary.com/lib/rucke/Doc?id=10428220 http://site.ebrary.com/lib/rucke/Doc?id=10428220 CaPaEBR 100308 ebr10428220