01962nam a2200313 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020004300112020004000155020002700195040002100222035002100243050002700264082001700291100002800308245019400336260003400530300001900564504006600583505063000649533015201279650004501431655002901476710001701505856012601522ebr10443226CaPaEBRm        u        cr cn|||||||||100302s2010    nyua    sb    001 0 eng d  z  2010006797  z9781441103802 (hardcover : alk. paper)  z1441103805 (hardcover : alk. paper)  z9781441188243 (e-book)  aCaPaEBRcCaPaEBR  a(OCoLC)69951102214aPN1997.85b.C66 2010eb04a791.43/62221 aConstandinides, Costas.10aFrom film adaptation to post-celluloid adaptationh[electronic resource] :brethinking the transition of popular narratives and characters across old and new media /cCostas Constandinides.  aNew York :bContinuum,c2010.  a166 p. :bill.  aIncludes bibliographical references (p. [151]-156) and index.0 aIntroduction -- Towards the intertextual dialogism approach -- Towards post-celluloid adaptation -- From the pre-diction of crime to the pre-vision of screenless media : Spielberg's adaptation of Philip K. Dick's The minority report -- Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love -- Bullet-time, blood spraying time, and the adaptation of the graphic novel -- From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing -- Puppet Kong vs. synthetic Kong : Peter Jackson's King Kong as post-celluloid adaptation -- Conclusion.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2011.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aFilm adaptationsxHistory and criticism. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10443226zAn electronic book accessible through the World Wide Web; click to view