01875nam a2200349 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020001800112020001500130040002100145035002100166043001200187050002300199082001800222100002800240245012100268260005100389300001500440504006600455505052100521533015201042650005801194650005801252650002601310655002901336710001701365856012601382999001701508ebr10354422CaPaEBRm        u        cr cn|||||||||080428s2008    iau     sb   s001 0 eng d  z  2007907339  z9781587296352  z1587296357  aCaPaEBRcCaPaEBR  a(OCoLC)609870388  an-us---14aPS325b.J46 2008eb04a811/.54092221 aJenkins, Grant Matthew.10aPoetic obligationh[electronic resource] :bethics in experimental American poetry after 1945 /cG. Matthew Jenkins.  aIowa City :bUniversity of Iowa Press,cc2008.  axv, 263 p.  aIncludes bibliographical references (p. [243]-258) and index.0 aIntroduction: The double-double turn -- pt. 1. Objectivist poethics -- Saying obligations: George Oppen's Of being numerous -- A phenomenology of judgment: Charles Reznikoff's Holocaust -- pt. 2. Excess and eros. The ethics of excess: Edward Dorn's Gunslinger -- The body ethical: Robert Duncan's Passages -- pt. 3. An ethics of sexual alterity. The nearnes sof poetry: Susan Howe's The nonconformist's memorial -- Permeable ethics: Lyn Hejinian's The cell -- Conclusion: What difference does poetic obligation make?  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aAmerican poetryy20th centuryxHistory and criticism. 0aExperimental poetry, AmericanxHistory and criticism. 0aEthics in literature. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10354422zAn electronic book accessible through the World Wide Web; click to view  c34373d34373