02074nam a2200385 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020003900112020003800151020002700189040002100216035002100237043001200258050002700270082002200297100002700319245011900346260005200465300002400517440003200541440003100573504006500604505055600669533015201225650004001377650005201417651003001469655002901499710001701528856012601545999001701671ebr10634610CaPaEBRm        u        cr cn|||||||||120626s2013    inua    sbk   001 0 eng d  z  2012026045  z9780253007254 (cloth : alk. paper)  z9780253007292 (pbk. : alk. paper)  z9780253007339 (e-book)  aCaPaEBRcCaPaEBR  a(OCoLC)825170191  af-gh---14aML3917.G43bP53 2013eb04a306.4/84096672231 aPlageman, Nate,d1978-10aHighlife Saturday nighth[electronic resource] :bpopular music and social change in urban Ghana /cNate Plageman.  aBloomington :bIndiana University Press,c2013.  axvi, 318 p. :bill. 0aAfrican expressive cultures 0aEthnomusicology multimedia  aIncludes bibliographical references, discography, and index.0 aIntroduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aDance musicxSocial aspectszGhana. 0aHighlife (Music)zGhanaxHistory and criticism. 0aGhanaxSocial conditions. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10634610zAn electronic book accessible through the World Wide Web; click to view  c47878d47878