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    <title>visible world</title>
    <subTitle>Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age</subTitle>
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    <namePart>Weststeijn, Thijs.</namePart>
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  <name type="personal">
    <namePart>Jackson, Beverley.</namePart>
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  <name type="personal">
    <namePart>Richards, Lynne.</namePart>
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    <namePart>ebrary, Inc</namePart>
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    <place>
      <placeTerm type="text">Amsterdam]</placeTerm>
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    <publisher>Amsterdam University Press</publisher>
    <dateIssued>2008</dateIssued>
    <issuance>monographic</issuance>
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    <extent>475 p. : ill. (some col.).</extent>
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  <note type="statement of responsibility">Thijs Weststeijn ; translated by Beverley Jackson and Lynne Richards.</note>
  <note>Includes bibliographical references (p. 443-462) and indexes.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Hoogstraten, Samuel van</namePart>
      <namePart type="date">1627-1678</namePart>
    </name>
    <topic>Criticism and interpretation</topic>
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    <name type="personal">
      <namePart>Hoogstraten, Samuel van</namePart>
      <namePart type="date">1627-1678</namePart>
    </name>
    <topic>Aesthetics</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Painting, Dutch</topic>
    <temporal>17th century</temporal>
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  <classification authority="lcc">ND653.H66 W47 2008eb</classification>
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    <titleInfo>
      <title>Amsterdam studies in the Dutch golden age</title>
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