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    <title>transatlantic gaze</title>
    <subTitle>Italian cinema, American film</subTitle>
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    <namePart>Carolan, Mary Ann McDonald.</namePart>
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    <dateIssued encoding="marc">2014</dateIssued>
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    <extent>1 online resource (192 pages) : illustrations.</extent>
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  <tableOfContents>Introduction -- Screen idols &amp; female admirers in The white sheik (Fellini 1952), The purple rose of Cairo (Allen, 1985) and Nurse Betty (Labute, 2000) -- The art film reconsidered: Blow-up (Antonioni, 1966) and Blow out (Depalma, 1981) -- The evolving western: from America to Italy and back in One upon a time in the West (Leone, 1968) and Kill Bill: volumes 1 &amp; 2 (Tarantino, 2003 &amp; 2004) -- Neorealism revisited by African American directors in the new millennium: Precious (Daniels, 2009) and Miracle at St. Anna (Lee, 2008) -- Whither the remake? -- Conclusion.</tableOfContents>
  <note type="statement of responsibility">Mary Ann McDonald Carolan.</note>
  <note>Includes bibliographical references and index.</note>
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    <topic>Motion pictures</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Italy</geographic>
    <topic>Influence</topic>
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      <publisher>Albany : State University of New York Press, [2014]</publisher>
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    <physicalDescription>
      <extent>xvii, 172 pages</extent>
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    <identifier type="local">(DLC)  2013014433</identifier>
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